TOAD Hall - Post Refurbishment
Refurbishment of TOAD Hall is now complete thanks to some very generous benefactors! As part of the process an acoustic consultant was engaged who recomended about 80m2 of high thickness absorbers be installed in each of the three spaces. The budget only allowed for one space (Jubilee Hall) to be fully treated with the remaining materials split between the other two spaces.
Jubilee Hall
Treatments - 106m2:
- 57.6m2 of 50mm absorbers covering the walls between 800-2000mm (20 panels)
- ~21m2 of Heavy drape infils of spaces between rafters and ceiling (3 rafters)
- ~28m2 of Heavy drape curtails at top of end walls
Reverb reduced from 3 seconds to just under 1 second. Is now a great space for large ensemble rehearsals - has enough support for instruments but manages the volume well and allows players to hear themselves and others clearly.
Should not require any more significant treatment, though might play around with diffusers over a couple of the panels to give it a little more sparkle.
Middle Hall
Treatment - 26m2:
- 11.5m2 of 25mm absorbers in wooden panels with 35mm airgap (4 panels)
- 2.9m2 of 50mm absorbers fixed to wall above entry door
- 7.7m2 of 25mm absorbers fixed to sliding door panels
- 3.8m2 of 50mm absorbers fixed to wall above sliding doors
Reverb has been cut in half from 4 seconds to around 2, with a slightly lower response when sliding doors are closed. Currently has a very nice acoustic for solo performance though is probably still a little loud for its primary users the theatre groups.
Limited space for additional absorbers (unless ceiling is utilised) but two beams could provide ideal curtain track for heavy drapes which would also create the ideal stage sized area for rehearsals.
East Hall
Treatment - 15.4m2:
- 5.8m2 of 25mm absorbers in wooden panels with 35mm airgap (2 panels)
- 5.8m2 of 25mm absorbers fixed to wall above serving hatch
- 3.8m2 of 50mm absorbers fixed to wall above sliding doors
Reverb has been cut from 4 seconds as an empty shell to around 2.5 seconds. Prior to referbishment this hall was around 1.4 seconds and I think the stage prosenium was absorbing a lot of the sound (plus there was a large amount of theatre costumes and storage in the space)
Space for at least 4 additional framed panels (11.5m2) and additional drapes. Target for this hall should be 1.5-2 seconds to make it ideal for masterclasses, small plays etc.
Results
Reverberation times:
Space Purpose Previous Empty Current Target Jubilee Hall Large ensemble rehearsals 1.42s 3.1s 0.9s 1.0s Middle Hall Theatre rehearsals 2.40s 4.0s 2.0s 1.5s East Hall Masterclasses / theatre 1.46s 4.1s 2.4s 1.8s
Previous measurements were taken with a large number of items in each space, including some intended to manage the sound issues (carpet, drapes on walls etc). It should also be noted that each occupant of a space provides approximately 1.5m2 additional absorption roughly corresponding to a 0.02s decrease in RT60 for the space based on crude estimates.
Comparison of current reverberation times
Acoustic profiles
I could only find a German language calculator (https://sarooma.com/webapp/) - thanks Google Translate!
Jubilee Hall is currently matching the music rehearsal profile quite well. The settings are for a music rehearsal space with quieter instruments, measurements taken fully furnished. The red line is the measurement and the blue is predicted with 35 musicians.
Middle Hall modelled using a 'Music and Language Event Hall'. With 50-60 people (typical for Holiday Actors) and 15 chairs around the edge the model matches. As previously noted, I found this to be a pleasant acoustic to play in on solo instrument without anyone else.
Have modelled East Hall against a music performance profile and empty it currently sits well outside. However 60 fabric chairs bring this down nicely into the middle - blue lines are 50% and 80% of chairs occupied.
Measurements
As before measurements were made with a Beringer ECM8000, a Yamaha DBR-10 speaker and RoomEQWizard. 512k sweep from 50 to 10000Hz. The DBR-10s have a response of 55-20000Hz so ignore anything under 50Hz.
Resources
Here are the useful papers I came across while researching this.
Designing small music practice rooms for sound quality
Focused on small practice rooms but includes some tables for suggested reverberation times:
Type m^2 height m^3 Reverberation time according to various standards Ensemble /music studio 16-50 2.4-3.0 38-150 0.7-0.9 0.5-1.0 0.6-1.2 0.5-0.7 <0.6 Recital rooms 50-100 3.0-4.0 150-400 1.1-1.3 1.0-1.5 1.0-1.5 N/A N/A Teaching/practice room 6-10 2.4-3.0 14-30 0.7-0.9 0.3-0.6 <0.8 <0.5 <0.6